samedi 31 mai 2014

A demain....








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Ernst Fuchs

"Malach"  1963
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Léon Goupil

"Portrait de Sarah Bernhardt"
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Andrei Molodkin

"Samothrace"
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Clémentine Despocq

Cette artiste qui vient de Bourgogne, se définit comme bijoutière plasticienne. Elle crée des parures qui mettent la peau sous tension, qui réinventent la sculpture dans un rapport de complicité entre le corps et ses désirs, qui évoquent des sensations intimes, des émotions retenues. Une phrase, un poème, un proverbe, guident ses envies.
Je n'ai pas trouvé son site, dommage.







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Aaron Blum

"Almost Heaven" - The New Vrindaban is a Krishna community in the pastoral hills of Appalachia, and is the vision of A.C. Bhaktivedanta Swami Prabhupada, the founder and spiritual leader of the International Society for Krishna Consciousness. One of Prabhupada’s dreams was to establish a holy pilgrimage site in North America. The New Vrindaban in West Virginia is the realization of that dream. It was conceived to echo Vrindaban, India. According to many Hindu religions, Vrindaban in India is where Krishna took human form and the devotees of the Krishna faith understand it to be the equivalent of Heaven on Earth.  I began photographing the New Vrindaban community in order to explore a part of my home in Appalachia that was unfamiliar to me. Through many visits, conversations and experiences I found a multinational group living together in an attempt to create a utopian society based in Krishna Consciousness ideals. Some of the residents are simply passing through on a spiritual quest and some have been there for decades completely devoted to the community and upkeep of the grounds, which have become an extravagant memorial to their spiritual leader Prabhupada.  Not all of the residents at New Vrindaban are transplants from distant locations; some are originally from the surrounding area and have a similar upbringing to other Appalachians such as myself. The culture at New Vrindaban, though at odds with the traditional context of Appalachia, does not exist in a vacuum. For example seeing traditional Krishna robes paired with steel-toed boots and blue-collar workwear is common. These types of juxtapositions between familiar cultural markers and the anomalous is what I find so intriguing and pleasantly jarring. 
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Y&R New Zealand - Schick NZ

"Free Your Skin" c'est le nom de la campagne des créatifs de Y&R Nouvelle Zélande pour la marque de rasoirs Schick NZ
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Pour les rasoirs, c'est ici: http://schickfreeyourskin.co.nz
Et pour la page FB, c'est par là: https://www.facebook.com/SchickNZ/app_281123292055783







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Alexej Meschtschanow

"Kitchen Talk"  2013
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Govaert Flinck

"Tête d'un homme noir" 1640
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David Rodriguez

"Gourmandises" -  There are situations in which we can only live through the catharsis. This series is an exploration of the contextualization of the painting; I introduced pornographic/erotic images inside the design of boxes of chocolates. Exploring the language and visual qualities inherent to the identity of each brand, I wanted to get closer to a collective imaginary. This corruption allows questioning the idiosyncrasies of a society; through the spectrum of sexuality, capitalism and the evolution of the spoken language, among others.
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Stéphanie Saadé

"Nostalgic Geography" 2013, printed map, mirror stainless steel track, 83x83cm - A familiar trajectory, regularly undertook by the artist when she lived in Paris, is transposed onto the map of Lebanon. A number of obstacles prevent the Parisian path to be crossed : it is interrupted by a river, buildings, or the absence of streets. By coincidence, the end point on the new map is located very close to the place where the artist lived as a child.        
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Johannes Kahrs

"Sans titre-Man Crawling"  2010
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